All John Constable Oil Paintings
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John Constable Malvern Hall:The entrance front oil painting


Malvern Hall:The entrance front
Painting ID::  33131 		Artist: John Constable
Painting: Malvern Hall:The entrance front
Introduction: mk82 c.1820 oil on canvas 54.6x78.1
   
   
     

 

 

 
 

 

 

 
John Constable Spring:East Bergholt Common oil painting


Spring:East Bergholt Common
Painting ID::  33132 		Artist: John Constable
Painting: Spring:East Bergholt Common
Introduction: mk82 c.1821 or 1829 oil on oak wood panel 19x36.2
   
   
     

 

 

 
 

 

 

 
John Constable View from Hampstead Heath,Looking West oil painting


View from Hampstead Heath,Looking West
Painting ID::  33133 		Artist: John Constable
Painting: View from Hampstead Heath,Looking West
Introduction: mk82 14 July 1821
   
   
     

 

 

 
 

 

 

 
John Constable View from Hampstead Heath,Looking towards Harrow August 1821 oil painting


View from Hampstead Heath,Looking towards Harrow August 1821
Painting ID::  33134 		Artist: John Constable
Painting: View from Hampstead Heath,Looking towards Harrow August 1821
Introduction: mk82 oil on paper laid on canvas 25x29.8
   
   
     

 

 

 
 

 

 

 
John Constable Cloud study,Hampstead,trees at ringt 11September 1821 oil painting


Cloud study,Hampstead,trees at ringt 11September 1821
Painting ID::  33135 		Artist: John Constable
Painting: Cloud study,Hampstead,trees at ringt 11September 1821
Introduction: mk82 oil on paper laid on board 24.1x29.9
   
   
     

 

 

 
 

 

 

 
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     Check All John Constable's Paintings Here!
     1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy . Related Artists to John Constable : | Arent De Gelder | George Knapton | Giovanni Toscani | Alexandre Gabriel Decamps | Emile Van Marcke de Lummen |

 

 

 
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